Twilight

Editorial Reviews
Amazon.com
The big-screen adaptation of Twilight, Stephenie Meyer's bestselling vampire romance, is aimed squarely at its key demographic: teen girls whose idea of Prince Charming is a brooding, pale, undead teen who could kill you instantly at any moment. Such a prince is more fascinating than frightening to new girl Bella Swan (Kristen Stewart), who moves to the rainy-gray town of Forks, Wash., to live with her dad (Billy Burke), the local sheriff who's puzzled by a series of "animal attacks." On her first day at school, Bella appears to (visibly) nauseate her lab partner, Edward (Robert Pattinson). Turns out the scent of her blood is this vampire's "brand of heroin," and his struggle not to kill her causes an irresistible pull toward her. Whether he's attracted for the normal reasons or because she smells especially sweet to him is vague in the book and even less clear on-screen; nonetheless, Bella falls hopelessly in love with Edward, which sets her on a dangerous path when a few nomad vampires show up in town, one particularly keen on tracking the human. Directed by Catherine Hardwicke (Thirteen), Twilight is full of funny moments--not all of which are intentional--and the casting, from Stewart to Bella's self-absorbed friend Jessica (Anna Kendrick) is spot-on. The weakest link, unfortunately, is Pattinson. While he certainly looks the part, his Edward could have used an extra injection of testosterone (Pattinson, who is British, used James Dean as a model for his American accent). In scenes where he growls about the temptation to kill those who would harm Bella, or flitting around a forest warning her how dangerous he is, he comes off more like a whimpering puppy than a debonair monster. The good news is, his chemistry with Stewart (particularly in their big kissing scene) is palpable, which, let's face it, is really what matters to Twilight fans most. --Ellen A. Kim

Product Description
Bella Swan (Kristen Stewart) doesn’t expect much when she moves to the small town of Forks, Washington, until she meets the mysterious and handsome Edward Cullen (Robert Pattinson)—a boy who’s hiding a dark secret: he’s a vampire. As their worlds and hearts collide, Edward must battle the bloodlust raging inside him as well as a coterie of undead that would make Bella their prey. Based on the #1 New York Times best-selling sensation by Stephenie Meyer, Twilight adds a dangerous twist to the classic story of star-crossed lovers.

Fireproof

Editorial ReviewsAmazon.com
A feel-good drama, Fireproof has a strong agenda: stay married, lead an honest life, and let your faith in a higher power help guide you. A still boyish-looking Kirk Cameron (Growing Pains) stars as Caleb Holt, a mercurial-tempered firefighter whose marriage is on the rocks. He clearly enjoys his status as a hero, but it comes at the expense of his marriage. His wife Catherine (Erin Bethea) is tired of being along in their relationship and wants him to devote more time to their family. When she points out that he has worked 43 days straight--three days longer than his required time--Caleb says, "That's doesn't mean I have to stop." To a certain extent, the film examines whether Caleb can stop. In the finite sense, of course he can. All he has to do it pack up and head home. But emotionally stunted to a certain degree, Caleb can't. The third film by brothers Alex and Stephen Kendrick, Fireproof is the siblings' most polished feature. Cameron does a fine job of making Caleb real and believable, even when we're not always liking him. Though saddled at times with maudlin lines, Cameron adds emotion and range to his role. There is a not so subtle theme that the Holts--who at the beginning of the film are agnostic--needed religion to save their marriage. Clearly, Fireproof believes in its agenda and was made with the Christian audience in mind. Whether secular audiences will fall under its spell as well is debatable. But no one should walk away from the film offended. --Jae-Ha Kim

Product Description
Lt. Caleb Holt lives by the old firefighter's adage: Never leave your partner behind. Inside burning buildings, it's his natural instinct. In the cooling embers of his marriage, it's another story. After a decade of marriage, Caleb and Catherine Holt have drifted so far apart that they are ready to move on without each other. Yet as they prepare to enter divorce proceedings, Caleb's dad asks his son to try an experiment: The Love Dare. While hoping The Love Dare has nothing to do with his parents' newfound faith, Caleb commits to the challenge. But can he attempt to love his wife while avoiding God's love for him? Will he be able to demonstrate love over and over again to a person that's no longer receptive to his love? Or is this just another marriage destined to go up in smoke?

Dr. Horrible's Sing-Along Blog

Editorial Reviews
Amazon.com
Conceived as an "online miniseries event" during the 2008 writers' strike, Dr. Horrible's Sing-Along Blog is a 42-minute musical romp that bears the distinctive stamp of Joss Whedon. Neil Patrick Harris (How I Met Your Mother) plays the title character, who video-blogs about his twin goals to join the Evil League of Evil and to woo the fair Penny (Felicia Day, of Whedon's Buffy the Vampire Slayer and the Web series The Guild), a woman he met at the local laundromat. Dr. Horrible is foiled on both fronts, however, by his arch-nemesis, the self-absorbed superhero Captain Hammer (Nathan Fillion, Whedon's Firefly).
Dr. Horrible was written by Whedon, his brothers Zack and Jed, and Jed's fiancee Maurissa Tancharoen, and the songs were written by Joss and Jed (who also produced, orchestrated, played, etc.) with some lyrics by Tancharoen. (Jed and Tancharoen have backup singing roles.) The offbeat, off-the-cuff humor is laugh-out-loud funny, and just like Dr. Horrible wants to take over the world, the songs will take over your head: they're engaging ("My Freeze Ray'), stirring ("My Eyes"), and sweet ("Penny's Song'). "So They Say" is particularly evocative of Jonathan Larson's Rent, but as with Joss Whedon's musical episode of Buffy, "Once More with Feeling," the influences are diverse. It's hard to imagine a better cast. Harris, who's sung Sondheim on Broadway, is a great lead and clearly the best singer, Day is completely charming, and who better than Captain Tightpants to play the pompous superhero? One could argue about the ending, and the independent budget shows, but Dr. Horrible's Sing-Along Blog is a complete hoot for people who enjoy musicals with quirky humor. Plan on watching it multiple times. --David Horiuchi

On the DVD
If you've already watched or downloaded Dr. Horrible's Sing-Along Blog, a number of bonus features might entice you. There are two commentary tracks: Harris, the three Whedons, Tancharoen, Day, and Fillion recorded a spirited track discussing the movie, and there's also "Commentary! The Musical" in which they ignore the movie and sing about the writers' strike and each other (e.g., Fillion sings "I'm Better than Neil")--the songs aren't as good as the Horrible songs, but it's good silly fun. A 20-minute making-of discusses the cast, the recording sessions, and how the movie became a phenomenon, and 10 videos (a half-hour total) were recorded by fans who want to join the Evil League of Evil. And when's the last time you wanted to pause the FBI warning? --David Horiuchi

Product Description
Special Features:

Commentary! The Musical
Commentary by the cast and crew
Evil League of Evil application videos
Making-of featurettes
Subtitles: English, Spanish, French, German, Chinese, Japanese

Space Buddies

Product Description
Disney's irresistible talking puppies are back in an all-new movie that takes them where no Buddy has gone before the moon! With the help of some stellar new friends, this out-of-this-world adventure is one small step for dog, one giant leap for dogkind. Moving at warp speed, dodging asteroids and more, the Buddies and their two new friends, Spudnick and Gravity, must summon their courage and ingenuity to launch plans for a moon landing and a rocketing trip back home. Will they have the right stuff?
Overflowing with intergalactic action and heart, Space Buddies is an amazing tale of teamwork, and loyalty that celebrates the journey of life and the friendships made along the way. It s Buddy-loving fun your family will enjoy again and again.

Eagle Eye

Editorial Reviews
Amazon.com
The "cell phone thriller" is becoming a genre unto itself, and Eagle Eye should be considered a key example of the form. Frankly preposterous but compulsively watchable, this movie puts Shia LaBeouf in a mess of trouble instigated by a mysterious telephone voice. If he doesn't follow orders, dire things will happen--although when he does follow orders, the consequences are pretty dire, anyway. Also being blackmailed is a single mom (Michelle Monaghan) receiving similar phone calls. Why are they being jerked around by the purring female voice, and why is the road leading to Washington, D.C.? Actually, you won't have time to contemplate these questions, because director D.J. Caruso (who guided LaBeouf in Disturbia) keeps the action going at the customary breakneck pace. This is a wise move, because the real questions you'd likely be asking have to do with the plausibility of events on a minute-by-minute basis (most notably: how could Mysterious Phone Voice possibly know that the two pigeons would survive the hoops she makes them fly through, each one more death-defying than the last?). The actors tumble through this mayhem like scattering bowling pins, including Billy Bob Thornton and Rosario Dawson as government agents. Nobody has time to make much of an impression, and LaBeouf has much less room for puppydog charm than he did in Disturbia. Even that would be all right within the movie's berserk parameters, but the really irritating thing is the way the tacked-on final scenes reverse what would have been a heroic climax. No guts, no glory. --Robert Horton

Product Description
Studio: Paramount Home Video Release Date: 12/26/2008

The Secret Life of Bees

Editorial ReviewsAmazon.com
Headed by an all-star cast of women, The Secret Life of Bees is the heartwarming and well-told story of a young girl who finds love and acceptance from a trio of independent sisters. The Secret Life of Bees is based on the bestselling book of the same name by Sue Monk Kidd and centers around the plight of 14-year-old Lily (Dakota Fanning). Assuming the burden for her mother's premature death, she has a precarious relationship with her abusive father T. Ray (Paul Bettany). Lily's only friend is her caregiver Rosaleen (Academy Award winner Jennifer Hudson). Set in South Carolina in 1964, when civil rights wasn't a given, Rosaleen's life is threatened by racists who'd just as soon see her dead than exercise her right to vote. Lily runs away with her to a town she believes may hold the secrets of her mother's life. There the pair meet the Boatwright sisters August (Queen Latifah), June (Alicia Keys) and May (Sophie Okonedo)--who produce the area's famous Black Madonna honey. They eventually provide Lily with the unconditional love she never felt she had and also show Rosaleen that being a black woman in the South doesn't mean she can't have a sense of worth. The Secret Life of Bees doesn't try to pass itself off as a historical documentation of race relations in the 1960s. But the fictional slice of life still resonates because of the feelings of injustice that it stirs up. Though the film is written to show the disparity between blacks and whites, there is always a strong sense of hope, thanks to the lead actresses who bring empathy and dignity to their roles. Hudson exhibits some of the same quiet grace that Regina Taylor brought to her role as the family housekeeper in the superb TV series I'll Fly Away. Latifah has the part of wise matriarch down pat, even when she's playing a sister rather than a mother. And it's clear that Fanning is making a seamless transition from kid to young adult roles. Whether she's giving an impassioned monologue or listening thoughtfully, Fanning brings nuance and intelligence to her role. --Jae-Ha Kim

Wall-E

Editorial Reviews
Amazon.com
Pixar genius reigns in this funny romantic comedy, which stars a robot who says absolutely nothing for a full 25 minutes yet somehow completely transfixes and endears himself to the audience within the first few minutes of the film. As the last robot left on earth, Wall-E (voiced by Ben Burtt) is one small robot--with a big, big heart--who holds the future of earth and mankind squarely in the palm of his metal hand. He's outlasted all the "Waste Allocation Load Lifter Earth-Class" robots that were assigned some 700 years ago to clean up the environmental mess that man made of earth while man vacationed aboard the luxury spaceship Axiom. Wall-E has dutifully gone about his job compacting trash, the extreme solitude broken only by his pet cockroach, but he's developed some oddly human habits and ideas. When the Axiom sends its regularly scheduled robotic EVE probe (Elissa Knight) to earth, Wall-E is instantly smitten and proceeds to try to impress EVE with his collection of human memorabilia. EVE's directive compels her to bring Wall-E's newly collected plant sprout to the captain of the Axiom and Wall-E follows in hot pursuit. Suddenly, the human world is turned upside down and the Captain (Jeff Garlin) joins forces with Wall-E and a cast of other misfit robots to lead the now lethargic people back home to earth. Wall-E is a great family film with the most impressive aspect being the depth of emotion conveyed by a simple robot--a machine typically considered devoid of emotion, but made so absolutely touching by the magic of Pixar animation. Also well-worth admiring are the sweeping views from space, the creative yet disturbing vision of what strange luxuries a future space vacation might offer, and the innovative use of trash in a future cityscape. Underneath the slapstick comedy and touching love story is a poignant message about the folly of human greed and its potential effects on earth and the entire human race. Wall-E is preceded in theaters by the comical short Presto in which a magician's rabbit, unfed one too many times takes his revenge against the egotistical magician. (Ages 3 and older) --Tami Horiuchi>

Product Description
The highly acclaimed director of Finding Nemo and the creative storytellers behind Cars and Ratatouille transport you to a galaxy not so far away for a new cosmic comedy adventure about a determined robot named Wall-E.
After hundreds of lonely years of doing what he was built for, the curious and lovable Wall-E discovers a new purpose in life when he meets a sleek search robot named Eve. Join them and a hilarious cast of characters on a fantastic journey across the universe. Transport yourself to a fascinating new world with Disney-Pixar's latest adventure, now even more astonishing on DVD and loaded with bonus features, including the exclusive animated short film Burn-E. Wall-E is a film your family will want to enjoy over and over again.
Bonus Features
1. Burn-E Hilarious, All-New Animated Short, 2. Presto Amazing Animated Theatrical Short Film, 3. Deleted Scenes Garbage Airlock, Dumped, 4. Sneak Peek Wall-E's Tour Of The Universe Wall-E Takes You On A Real Ride Through Space, 5. Animation Sound Design Building Worlds From The Sound Up Legendary Sound Designer Ben Burtt Shares Secrets Of Creating The Sounds Of Wall-E. 6. Audio Commentary With Director Andrew Stanton

Lost: The Complete Fourth Season Movie

Editorial Reviews
Amazon.com
Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching.
Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim

Product Description
After Oceanic Air flight 815 tore apart in mid-air and crashed on a Pacific island, it s survivors were forced to find inner strength they never knew they had in order to survive. But they discovered that the island hold many secrets, including a mysterious smoke monster, polar bears, a strange French woman and another group of island residents known as The Others. The survivors have also found signs of those who came to the island before them, including a 19th century sailing ship called The Black Rock, the remains of an ancient statue, as well as bunkers belonging to the Dharma Initiative a group of scientific researchers who inhabited the island in the recent past.

Reviews Rent: Filmed Live on Broadway (2009) Movie

Editorial Reviews
Amazon.com
For passionate fans of Rent--the popular Broadway rock musical that updated La Boheme with electric guitars, steel drums, strippers, and drag queens--Rent: Filmed Live on Broadway is a must-have. Written and composed by Jonathan Larson (who died suddenly of an aortic aneurysm just before the show premiered), Rent follows an absurdly clean-cut gaggle of hipster artists who, after having been squatting in a run-down building for a year, are now being told they have to pay that rent by the building's owner, a former friend. At least, that's the plot point that launches everything; really, the musical is about modern romance, grappling with AIDS, and celebrating the creative spirit. This film documents the last performance of the Broadway production, which ran for 12 years. Though the aggressive camera moves and sometimes frenetic editing seem intended to make the film feel less stagebound, this Rent first and foremost captures the stage experience. The production's raw set and self-conscious theatricality (which highfalutin' theater folk might call "Brechtian") creates genuine show-biz razzle-dazzle and helps distract from some of the cliches in the musical itself. There are no famous faces (the closest is Tracie Thoms, who played the same role, the lesbian lover of a performance artist, in the movie version), but the cast is solid and exuberant, throwing themselves wholeheartedly into the show's unapologetically sincere paeans to life and love. --Bret Fetzer

Product Description
Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love," these starving artists strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic. RENT is Jonathan Larson's Pulitzer and Tony Award winning musical, one of the longest running shows on Broadway.

Reviews The Chronicles of Narnia: Prince Caspian Movie

Editorial Reviews
Amazon.com
More exciting than The Lion, the Witch, and the Wardrobe, The Chronicles of Narnia: Prince Caspian continues the movie franchise based on C.S. Lewis' classic fantasy books. The movie picks up where the first left off... sort of. It's been a year since the Pevensie children--Peter (William Moseley), Susan (Anna Popplewell), Edmund (Skandar Keynes), and Lucy (Georgie Henley)--returned to England from Narnia, and they've just about resigned themselves to living their ordinary lives. But just like that, they're once again transported to a fantastical land, but one with a long-abandoned castle. It turns out that they are in Narnia again--and they themselves lived in that castle, but hundreds of years ago in Narnia time. They've been summoned back to help Prince Caspian (Stardust's Ben Barnes, resembling a young, cultured Keanu Reeves), the rightful heir to the throne who's become the target of his power-hungry uncle, King Mraz (Sergio Castellitto). And he's not the only one threatened: Mraz's people, the Telmarines, have pushed all the Narnians--the talking animals, the centaurs and other beasts, the walking trees--to the brink of extinction. Despite some alpha-male bickering, Peter and Caspian agree to fight Mraz alongside the remaining Narnians, including the dwarf Trumpkin (Peter Dinklage) and the swashbuckling mouse Reepicheep (voiced by Eddie Izzard). (Also appearing is Warwick Davis, who was in Willow and the 1989 BBC Prince Caspian.) But of course they most of all miss the noble lion, Aslan, who would have never let this happen to Narnia if he hadn't disappeared. Prince Caspian is epic, evoking memories of Peter Jackson's Lord of the Rings films. (Some of the battle elements may seem too familiar, but they were in Lewis's book.) And it's appropriate for kids (Reepicheep could have come out of a Shrek movie), though the tone is dark and there is a lot of death, albeit bloodless. After two successful films, Disney and Walden Media's franchise has proved successful enough that many of the characters are scheduled to return in The Voyage of the Dawn Treader. --David Horiuchi

Product Description
The magical world of C.S. Lewis beloved fantasy comes to life once again in Prince Caspian, the second installment of The Chronicles Of Narnia series. Join Peter, Susan, Edmund, Lucy, the mighty and majestic Aslan, friendly new Narnian creatures and Prince Caspian as they lead the Narnians on a remarkable journey to restore peace and glory to their enchanted land. Continuing the adventure of The Lion, The Witch And The Wardrobe with more magic and a brand-new hero, Prince Caspian is a triumph of imagination, courage, love, joy and humor your whole family will want to watch again and again.

Reviews The Dark Knight Movie

Editorial Reviews
Amazon.com
The Dark Knight arrives with tremendous hype (best superhero movie ever? posthumous Oscar for Heath Ledger?), and incredibly, it lives up to all of it. But calling it the best superhero movie ever seems like faint praise, since part of what makes the movie great--in addition to pitch-perfect casting, outstanding writing, and a compelling vision--is that it bypasses the normal fantasy element of the superhero genre and makes it all terrifyingly real. Harvey Dent (Aaron Eckhart) is Gotham City's new district attorney, charged with cleaning up the crime rings that have paralyzed the city. He enters an uneasy alliance with the young police lieutenant, Jim Gordon (Gary Oldman), and Batman (Christian Bale), the caped vigilante who seems to trust only Gordon--and whom only Gordon seems to trust. They make progress until a psychotic and deadly new player enters the game: the Joker (Heath Ledger), who offers the crime bosses a solution--kill the Batman. Further complicating matters is that Dent is now dating Rachel Dawes (Maggie Gyllenhaal, after Katie Holmes turned down the chance to reprise her role), the longtime love of Batman's alter ego, Bruce Wayne.
In his last completed role before his tragic death, Ledger is fantastic as the Joker, a volcanic, truly frightening force of evil. And he sets the tone of the movie: the world is a dark, dangerous place where there are no easy choices. Eckhart and Oldman also shine, but as good as Bale is, his character turns out rather bland in comparison (not uncommon for heroes facing more colorful villains). Director-cowriter Christopher Nolan (Memento) follows his critically acclaimed Batman Begins with an even better sequel that sets itself apart from notable superhero movies like Spider-Man 2 and Iron Man because of its sheer emotional impact and striking sense of realism--there are no suspension-of-disbelief superpowers here. At 152 minutes, it's a shade too long, and it's much too intense for kids. But for most movie fans--and not just superhero fans--The Dark Knight is a film for the ages. --David Horiuchi

On the DVD
Unlike the Blu-ray disc, The Dark Knight on DVD is completely in 2.40:1 aspect ratio. You can, however, watch the six IMAX scenes separately. Also on disc 2 are "Gotham Uncovered: The Creation of a Scene," which is behind-the-scenes footage about the Bat suit, the Bat pod, and the music; eight-minute segments of Gotham Central, a faux-news program that gives some background to events in the movie; plus a variety of trailers, poster art, and more. Last, there's a digital copy of the film compatible with iTunes and Windows Media (download expires 12/9/09). --David Horiuchi

Product Description
Studio: Warner Home Video Release Date: 12/09/2008 Run time: 151 minutes Rating: Pg13

Reviews High School Musical 3: Senior Year (2008) Movie

Editorial Reviews
Amazon.com
High School Musical 3: Senior Year is the third film in Disney's record-smashing series, and the first to debut in theaters rather than on the Disney Channel, and while many of the elements are the same, the film is at times bigger to accommodate the big screen. All the usual characters are back, but not for long: it's senior year, and the classmates are all facing the prospect of leaving East High in separate directions. Troy (Zac Efron) is ready to play hoops at the University of Albuquerque with best friend Chad (Corbin Bleu), but doesn't want to be a thousand miles away from Stanford-bound Gabriella (Vanessa Hudgens). Taylor (Monique Coleman) is headed to Yale, while Sharpay (Ashley Tisdale), brother Ryan (Lucas Grabeel), and the school's pianist-composer Kelsi (Olesya Rulin) are all in the running for a single scholarship to Juilliard. The showcase for them will be Ms. Darbus' new musical, Senior Year, which will recap the academic careers of the students themselves. (So if the original HSM was a retelling of Grease, HSM3 is more A Chorus Line.)
There are a few new characters: Sharpay's personal assistant Tiara Gold (Jemma McKenzie-Brown), and Troy's hangers-on, Rocket Man (Matt Prokop) and Donny Dion (Justin Martin), who may give the franchise life beyond its original cast (if they make some headway in the likability department). But it's all about the songs and the dances. Ryan and Sharpay sizzle in a classic-musical tribute "I Want It All"; Troy and Gabriella share a rooftop waltz in "Can I Have This Dance"; and Troy and Chad blow off steam in a salvage yard in "The Boys Are Back." "Now or Never" is this film's "sports song," and Troy and Gabriella have their big duet "Just Wanna Be With You" and their own showcases, in "Scream" and "Walk Away," respectively. If the closing anthem, "High School Musical," seems on the self-congratulatory side, it's a rare misstep in a series that has made a generation of tweens (especially girls) sing and dance and realize they can be whatever they want to be. --David Horiuchi

Product Description
It's time to celebrate as Disney's phenomenal High School Musical hits new heights in High School Musical 3: Senior Year! Fresh from the big screen, this motion picture extravaganza delivers non-stop entertainment from start to finish! It's almost graduation day for high school seniors Troy, Gabriella, Sharpay, Chad, Ryan and Taylor - and the thought of heading off in separate directions after leaving East High has these Wildcats thinking they need to do something they ll remember forever. Together with the rest of the Wildcats, they stage a spring musical reflecting their hopes and fears about the future and their unforgettable experiences growing up together. But with graduation approaching and college plans in question, what will become of the dreams, romances, and friendships of East High's senior Wilcats?
Find out what happens to all your favorite characters in the big screen musical sensation, High School Musical 3: Senior Year! It's a fabulous celebration the whole family will love!

Reviews Mary Poppins Movie

Editorial Reviews
Amazon.com essential video
There is only one word that comes close to accurately describing the enchanting Mary Poppins, and that term was coined by the movie itself: supercalifragilisticexpialidocious! Even at 2 hours and 20 minutes, Disney's pioneering mixture of live action and animation (based on the books by P.L. Travers) still holds kids spellbound. Julie Andrews won an Oscar as the world's most magically idealized nanny ("practically perfect in every way," and complete with lighter-than-air umbrella), and Dick Van Dyke is her clownishly charming beau, Bert the chimney sweep. The songs are also terrific, ranging from bright and cheery ("A Spoonful of Sugar") to dark and cheery (the Oscar-winning "Chim Chim Cher-ee") to touchingly melancholy ("Feed the Birds"). Many consider Mary Poppins to be the crowning achievement of Walt Disney's career--and it was the only one of his features to be nominated for a best picture Academy Award until Beauty and the Beast in 1991. --Jim Emerson

Product Description
Experience the extraordinary animation, dazzling special effects and award-winning music of Walt Disney's Mary Poppins in this restored and remastered 2-Disc 45th Anniversary Edition! Join the practically perfect Mary Poppins (Julie Andrews) for a Jolly Holiday as she magically turns every chore into a game and every day into a whimsical adventure. Along the way, you ll be enchanted by unforgettable characters such as the multitalented chimney sweep Burt (Dick Van Dyke). Unpack Mary's magical carpetbag full of bonus features, including all-new bonus from the Supercalifragilisticexpialidocious Broadway production of Mary Poppins. You won't need a Spoonful Of Sugar to love every moment of this timeless Disney classic!

Reviews Tropic Thunder Movie

Editorial Reviews

Amazon.com
It's not really a knock to say that nothing in Tropic Thunder is funnier than its first five minutes, so sly that--especially for people watching in theaters--you don't realize right away they are the opening minutes of the movie. This outrageous comedy begins with a series of fake previews, each introducing one of the main characters in the film-proper (not that there's anything proper about this film) and each bearing the familiar logo of a different motion picture studio: Universal, DreamWorks SKG, et al. Such playing fast and loose with corporate talismans verges on sacrilege, but it's an index of how much le tout Tinseltown endorses the movie as a demented valentine to itself. The premise is that the cast of a would-be "Son of Rambo" movie shooting in some Southeast Asian jungle get into a real shooting war with drug-smuggling montagnards. Don't ask--though the movie does have an answer--why such highly paid, usually ultra-pampered personnel as superhero Tugg Speedman (Ben Stiller), Mozart of fart comedy Jeff Portnoy (Jack Black), hip-hop artist Alpa Chino (Brandon T. Jackson), and five-time Oscar-winner Kirk Lazarus from Aus-try-leeah (Robert Downey Jr.) should be running through the jungle unattended and very vulnerable. It matters only that the real-life cast has a high time kidding their own profession and flexing their comedic muscles. Bonus points go to Stiller for co-writing the script (with Justin Theroux) and directing, and to Downey, brilliant as a white actor surgically turned black actor for his role and utterly committed to staying in character no matter what ("I don't drop character till I done the DVD commentary").
Be warned: The movie, too, is committed--to being an equal-opportunity offender. Its political incorrectness extends not only to Lazarus's black-like-me posturing but also Speedman's recent, Sean Penn–style Oscar bid playing a cognitively challenged farmboy--or, in Lazarus's deathless phrase, "going the full retard." Others in the cast include Steve Coogan as a director out of his depth, Nick Nolte as the Viet-vet novelist whose book inspired the film-within-the-film, Matthew McConaughey as Speedman's sun-blissed agent back home, and Tom Cruise--bald, fat-suited, and profane--as an epically repulsive studio head. Two hours running time is a mite excessive, but otherwise, what's not to like? --Richard T. Jameson

Product Description
Studio: Paramount Home Video Release Date: 11/18/2008 Run time: 122 minutes Rating: Ur

Reviews Nick & Norah's Infinite Playlist (2008) Movie

Editorial Reviews

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In the big-screen version of Rachel Cohn and David Levithan's popular young adult novel, two high-school seniors fall in love over the course of one eventful evening. A straight bass player in a queercore band, Nick (Juno's Michael Cera) has just been dumped by the two-timing Tris (Alexis Dziena). He's committed to making more self-pitying mix CDs until his bandmates convince him to help track down a top-secret rock concert. Meanwhile, Norah (Charlie Bartlett's Kat Dennings) and her hard-partying pal, Caroline (Ari Graynor), set off on the same journey. Nora had never met Nick, but she already had a crush on him (While attending the same school as Tris, she's been enjoying the mixes Nick keeps making--and Tris keeps throwing away). When the inebriated Caroline goes missing, they spend the rest of the night racing around the Lower East Side in his Yugo looking for the friend, the show, and trying to avoid Tris (Norah's ex-boyfriend, Tal (Tropic Thunder's Jay Baruchel), presents further complications). Peter Sollett's follow-up to Raising Victor Vargas aims to please several audiences at once. It starts out like a less dirty-minded Superbad, morphs into a post-millennial After Hours, and ends as a Big Apple take on Before Sunset. It's sweet and funny, but could use more of its own identity, though Cera and Dennings make for an appealing couple and the supporting performers, especially Graynor and Kevin Corrigan in a wordless cameo, enhance the proceedings considerably. --Kathleen C. Fennessy

Product Description
Nick and Norah's Infinite Playlist is a comedy about two people thrust together for one hilarious, sleepless night of adventure in a world of mix tapes, late-night living, and, live, loud music. Nick (Michael Cera) frequents New York's indie rock scene nursing a broken heart and a vague ability to play the bass. Norah (Kat Dennings) is questioning pretty much all of her assumptions about the world. Though they have nothing in common except for their taste in music, their chance encounter leads to an all-night quest to find a legendary band's secret show and ends up becoming the first date in a romance that could change both their lives.

Reviews Burn After Reading (2008) Movie

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After the dark brilliance of No Country for Old Men, Burn After Reading may seem like a trifle, but few filmmakers elevate the trivial to art quite like Joel and Ethan Coen. Inspired by Stansfield Turner's Burn Before Reading, the comically convoluted plot clicks into gear when the CIA gives analyst Osborne Cox (John Malkovich) the boot. Little does Cox know his wife, Katie (Tilda Swinton, riffing on her Michael Clayton character), is seeing married federal marshal Harry (George Clooney, Swinton's Clayton co-star, playing off his Syriana role). To get back at the Agency, Cox works on his memoirs. Through a twist of fate, fitness club workers Linda (Frances McDormand) and Chad (Brad Pitt in a pompadour that recalls Johnny Suede) find the disc and try to wrangle a "Samaratin tax" out of the surly alcoholic. An avid Internet dater, Linda plans to use the money for plastic surgery, oblivious that her manager, Ted (The Visitor's Richard Jenkins), likes her just the way she is. Though it sounds like a Beltway remake of The Big Lebowski, the Coen entry it most closely resembles, this time the brothers concentrate their energies on the myriad insecurities endemic to the mid-life crisis--with the exception of Chad, who's too dense to share such concerns, leading to the funniest performance of Pitt's career. If Lebowski represented the Coen's unique approach to film noir, Burn sees them putting their irresistibly absurdist stamp on paranoid thrillers from Enemy of the State to The Bourne Identity. --Kathleen C. Fennessy

Product Description
Studio: Uni Dist Corp. (mca) Release Date: 12/19/2008 Run time: 96 minutes Rating: R

Reviews Pineapple Express Movie

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The latest bro-mance from team Apatow (the guys who brought us Superbad, Knocked Up and The 40-Year-Old Virgin), Pineapple Express is the story of Dale Denton (Seth Rogan) and Saul Silver (James Franco), a pothead and his dealer who accidently get caught up in a drug war between two gangs with some corrupt cops, high-school girls and small-time henchmen thrown in for good measure. At its core, Pineapple Express is a stoner comedy--a tale of two semi-slow giggling and loveable idiots in way over their heads--this formula has made for some entertaining comedy over the years, Cheech and Chong's Up in Smoke and Dave Chappell's Half Baked being two of the best examples. What sets Pineapple Express apart from these silly classics however, is the consistency of the humor, the perfect chemistry between Rogan and Franco and the giddily ridiculous action sequences (and the fact that even mild intoxication is not required to enjoy the humor). The movie retains the sweetness that is present in most of Apatow's films, making the characters’ poor choices and ultra-violent actions somehow justifiable, or at least relatable. The site gags, pop-culture references and perfectly timed non-sequiturs only enhance the hilarity. Director David Gordon Green, known mostly for the understated and reflective films George Washington and All the Real Girls, seemed like an odd choice for such a raucous and over-the-top comedy, but it turns out Green's stamp is all over this film (as is his long-time cinematographer, Tim Orr) who together manage to turn Pineapple Express into much more than the sum of its parts. --Kira Canny

Product Description
A new comedy from the creative genius of Judd Apatow (40 Year Old Virgin, Knocked Up, Talladega Nights) follows a pair of druggie losers as they reach the top of the hit-list when one witnesses a mob murder and drags his buddy into a crazy flight from mobsters bent on silencing both of them permanently. The film stars new sensation Seth Rogen (Knocked Up, Superbad, 40 Year Old Virgin) and James Franco (Spider-Man 1-3) and it co-stars Rosie Perez (Do The Right Thing) and Gary Cole (The Brady Bunch Movie). Movie is directed by David Gordon Green.

Reviews Lakeview Terrace (2008) Movie

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The usually provocative Neil LaBute reigns in his more eccentric tendencies for this straightforward domestic thriller. Then again, LaBute, who divides his time between cinema and theater, didn't write the material. The bad vibes begin when Chris (Patrick Wilson) and Lisa Mattson (Kerry Washington) move in next door to widowed cop Abel Turner (Samuel L. Jackson, as nasty as Aaron Eckhart in LaBute's In the Company of Men). A strict father of two, Turner works in a diverse unit (Jay Hernandez plays his partner), but takes less kindly to interracial relationships. From the start, he makes the Mattsons uncomfortable with inappropriate remarks and unwarranted intrusions, like the security light trained on their bedroom, under the guise of self-appointed neighborhood guardian. Initially, Turner's actions exacerbate the tensions between the seemingly happy pair--Lisa wants to start a family, Chris wants to wait--until they realize they'll have to work together to protect themselves from their troubled neighbor. And since he's a member of the LAPD, Turner's colleagues have his back, despite the break-ins and flat tires bedeviling the Mattsons. When they make it clear they intend to stay, Turner takes his harassment campaign to the next level. The A-list cast does what they can, but the B-movie script from Howard Korder and Passenger 57's David Loughery, offers few surprises--at least to those who've seen Fatal Attraction and The Hand That Rocks the Cradle--and LaBute's by-the-books direction lacks its usual bite. --Kathleen C. Fennessy

Product Description
In Lakeview Terrace, a young couple (Patrick Wilson and Kerry Washington) has just moved into their California dream home when they become the target of their next-door neighbor, who disapproves of their interracial relationship. A stern, single father, this tightly wound LAPD officer (Samuel L. Jackson) has appointed himself the watchdog of the neighborhood. His nightly foot patrols and overly watchful eyes bring comfort to some, but he becomes increasingly harassing to the newlyweds. These persistent intrusions into their lives ultimately turn tragic when the couple decides to fight back.

Reviews Mamma Mia! The Movie

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The delirious sight of Meryl Streep leading a river of multigenerational women singing "Dancing Queen" is one of the high points of Mamma Mia!, the musical built around the songs of the hugely popular pop group ABBA. The plot sets in motion when Sophie (Amanda Seyfried, Mean Girls), daughter of Donna (Streep), sends a letter to three men, inviting them to her wedding--because after reading her mother's diary, she suspects that one of them is her father. When all three arrive at the Greek island where Donna runs a hotel, Donna flips out and finds that passions she thought she'd laid aside are coming back to life. But let's face it, the plot is not the point--it's a ridiculous contrivance that provides an excuse for the characters to sing the massive hits of ABBA. Regrettably, first-time film director Phyllida Lloyd (who directed the original stage production) has drawn over-the-top performances from everyone involved, even Streep; every production number hammers its exuberance into your eyeballs. Which is too bad, because Mamma Mia! is a rarity: A middle-aged love story. The kids start things off, but the story is really about Streep and the three guys (former James Bond Pierce Brosnan, former Mr. Darcy Colin Firth, and Swedish star Stellan Skarsgard), as well as Donna's best friends (Christine Baranski, best known from the TV show Cybill, and Julie Walters, Calendar Girls). It's a romantic comedy aimed at the people who were around when all these songs were new, and that's an age group Hollywood largely ignores. For that alone, Mamma Mia! deserves to find an audience. --Bret Fetzer

Product Description
The story of a bride-to-be trying to find her real father from three possible candidates told using songs by the popular 70s group abba. Based on the hit broadway musical. Studio: Uni Dist Corp. (mca) Release Date: 12/16/2008 Starring: Meryl Streep Colin Firth Run time: 109 minutes Rating: Pg13

Reviews The Duchess (2008)

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Swaddled in whalebone and wigs, Keira Knightley steps into the restricted world of the Duchess of Devonshire, a royal lady popular with her subjects but stuck in an unhappy marriage. If this situation recalls Princess Diana (a descendent of the Duchess's family), so much the better for the purposes of director Saul Dibb and company; this film is eager to draw parallels with the unfortunate Lady Di, even if she is never directly mentioned. Knightley's unsuspecting girl is married off to the Duke (Ralph Fiennes), a distracted jerk who craves male sons, and obviously has never thought of women as anything other than a means to achieve an heir. When the Duchess launches her procreative career with a couple of daughters, well, the Duke begins to get nervous--and partners outside the marriage become increasingly appealing. The Duchess serves up lavish portions of Brit-movie staples: costumes (which, in Knightley's case, are nothing short of spectacular), landscapes,! and gorgeous music (by Rachel Portman). If it falls short in some vague way, perhaps it's because the film is a mostly one-note affair, meaning exactly what it seems to mean at every moment. Charlotte Rampling appears too briefly as Knightley's mother, and Dominic Cooper and Hayley Atwell (from Brideshead Revisited), rising stars both, contribute attractive lures for the principals. They prove the old movie adage: there's a lot to be said for eye candy. --Robert Horton

Product Description
Studio: Paramount Home Video Release Date: 12/26/2008 Run time: 109 minutes Rating: Pg13

Reviews Tropic Thunder (2008)

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It's not really a knock to say that nothing in Tropic Thunder is funnier than its first five minutes, so sly that--especially for people watching in theaters--you don't realize right away they are the opening minutes of the movie. This outrageous comedy begins with a series of fake previews, each introducing one of the main characters in the film-proper (not that there's anything proper about this film) and each bearing the familiar logo of a different motion picture studio: Universal, DreamWorks SKG, et al. Such playing fast and loose with corporate talismans verges on sacrilege, but it's an index of how much le tout Tinseltown endorses the movie as a demented valentine to itself. The premise is that the cast of a would-be "Son of Rambo" movie shooting in some Southeast Asian jungle get into a real shooting war with drug-smuggling montagnards. Don't ask--though the movie does have an answer--why such highly paid, usually ultra-pampered personnel as superhero Tugg Speedman (Ben Stiller), Mozart of fart comedy Jeff Portnoy (Jack Black), hip-hop artist Alpa Chino (Brandon T. Jackson), and five-time Oscar-winner Kirk Lazarus from Aus-try-leeah (Robert Downey Jr.) should be running through the jungle unattended and very vulnerable. It matters only that the real-life cast has a high time kidding their own profession and flexing their comedic muscles. Bonus points go to Stiller for co-writing the script (with Justin Theroux) and directing, and to Downey, brilliant as a white actor surgically turned black actor for his role and utterly committed to staying in character no matter what ("I don't drop character till I done the DVD commentary").
Be warned: The movie, too, is committed--to being an equal-opportunity offender. Its political incorrectness extends not only to Lazarus's black-like-me posturing but also Speedman's recent, Sean Penn–style Oscar bid playing a cognitively challenged farmboy--or, in Lazarus's deathless phrase, "going the full retard." Others in the cast include Steve Coogan as a director out of his depth, Nick Nolte as the Viet-vet novelist whose book inspired the film-within-the-film, Matthew McConaughey as Speedman's sun-blissed agent back home, and Tom Cruise--bald, fat-suited, and profane--as an epically repulsive studio head. Two hours running time is a mite excessive, but otherwise, what's not to like? --Richard T. Jameson

Product Description
Studio: Paramount Home Video Release Date: 11/18/2008 Run time: 107 minutes Rating: R

Reviews Beverly Hills Chihuahua (2008)

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Beverly Hills Chihuahua finds director Raja Gosnell back on the talking-dog beat (following his live-action Scooby-Doo and Scooby-Doo 2: Monsters Unleased), this time in an ambitious, tongue-in-cheek comedy with a fun cast of onscreen and vocal actors. Piper Perabo plays Rachel, niece of a Beverly Hills eccentric (Jamie Lee Curtis) who spends much of her fortune pampering Chloe (voiced by Drew Barrymore), a spoiled Chihuahua used to pacing through this world with booties on her paws. Chloe gets dog-napped while Rachel takes a vacation in Mexico, and finds protection from a misfit German Shepherd named Delgado (Andy Garcia), who has a painful secret in his past. The two get into and out of a lot of scrapes, trying to stay ahead of a vicious dog (Edward James Olmos) working for the head of an illegal dogfight gambling syndicate. Computer effects turn the film's many four-legged characters into talking critters capable of leaping onto train boxcars and leading the heroine into the Indiana Jones-like ancestral home of the chihuahua breed. The comedy is crisp and kid-friendly, the story of Chloe rise out of silliness into canine authenticity, plus the film's surprising ambitiousness, are all very winning. --Tom Keogh

Product Description
Get ready for a hilarious fun-filled adventure starring Chloe (voiced by Drew Barrymore), a diamond-clad ultra-pampered Beverly Hills Chihuahua who gets lost while on vacation in Mexico. Papi (voiced by George Lopez), an amusing Chihuahua who's crazy about Chloe, springs into action and heads south of the border to rescue her, while Chloe gets help from Delgado (voiced by Andy Garcia), her newfound friend and self-appointed protector. Beverly Hills Chihuahua from Walt Disney Pictures is a heartwarming and outrageously funny tale proving once again that good things do come in small packages. It's a real treat for the whole family. Bonus features include Deleted Scenes With Introductions By Director Raja Gosnell, Blooper Scooper, Legend Of The Chihuahua: Animated Short , Feature Commentary With Director Raja Gosnell (Widescreen Version Only)

Reviews high school musical 3

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High School Musical 3: Senior Year is the third film in Disney's record-smashing series, and the first to debut in theaters rather than on the Disney Channel, and while many of the elements are the same, the film is at times bigger to accommodate the big screen. All the usual characters are back, but not for long: it's senior year, and the classmates are all facing the prospect of leaving East High in separate directions. Troy (Zac Efron) is ready to play hoops at the University of Albuquerque with best friend Chad (Corbin Bleu), but doesn't want to be a thousand miles away from Stanford-bound Gabriella (Vanessa Hudgens). Taylor (Monique Coleman) is headed to Yale, while Sharpay (Ashley Tisdale), brother Ryan (Lucas Grabeel), and the school's pianist-composer Kelsi (Olesya Rulin) are all in the running for a single scholarship to Juilliard. The showcase for them will be Ms. Darbus' new musical, Senior Year, which will recap the academic careers of the students themselves. (So if the original HSM was a retelling of Grease, HSM3 is more A Chorus Line.)
There are a few new characters: Sharpay's personal assistant Tiara Gold (Jemma McKenzie-Brown), and Troy's hangers-on, Rocket Man (Matt Prokop) and Donny Dion (Justin Martin), who may give the franchise life beyond its original cast (if they make some headway in the likability department). But it's all about the songs and the dances. Ryan and Sharpay sizzle in a classic-musical tribute "I Want It All"; Troy and Gabriella share a rooftop waltz in "Can I Have This Dance"; and Troy and Chad blow off steam in a salvage yard in "The Boys Are Back." "Now or Never" is this film's "sports song," and Troy and Gabriella have their big duet "Just Wanna Be With You" and their own showcases, in "Scream" and "Walk Away," respectively. If the closing anthem, "High School Musical," seems on the self-congratulatory side, it's a rare misstep in a series that has made a generation of tweens (especially girls) sing and dance and realize they can be whatever they want to be. --David Horiuchi

Product Description
It's time to celebrate as Disney's phenomenal High School Musical hits new heights in High School Musical 3: Senior Year! Fresh from the big screen, this motion picture extravaganza delivers non-stop entertainment from start to finish! It's almost graduation day for high school seniors Troy, Gabriella, Sharpay, Chad, Ryan and Taylor - and the thought of heading off in separate directions after leaving East High has these Wildcats thinking they need to do something they ll remember forever. Together with the rest of the Wildcats, they stage a spring musical reflecting their hopes and fears about the future and their unforgettable experiences growing up together. But with graduation approaching and college plans in question, what will become of the dreams, romances, and friendships of East High's senior Wilcats?
Find out what happens to all your favorite characters in the big screen musical sensation, High School Musical 3: Senior Year! It's a fabulous celebration the whole family will love!